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The Metropolitan Opera: The Flying Dutchman
François Girard, whose revelatory 2013 take on Parsifal set the recent Met standard for Wagner stagings, now unveils a spellbinding new vision of the composer's tale of a cursed sea captain doomed to sail the open ocean for eternity. With sweeping sets by John Macfarlane, Girard’s new production turns the Met stage into a rich, layered tableau reminiscent of a vast oil painting. Valery Gergiev conducts a brilliant cast led by bass-baritone Evgeny Nikitin as the Dutchman, with German soprano Anja Kampe making her anticipated Met debut as the devoted Senta, whose selfless love is what the Dutchman seeks. Bass Franz-Josef Selig is her father, Daland, and tenor Sergey Skorokhodov is her deserted former lover, Erik. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to more than 2,200 theaters in more than 70 countries worldwide.
Insights
Plot Summary
Richard Wagner's 'The Flying Dutchman' tells the tragic tale of a cursed sea captain doomed to sail the oceans forever until he finds a faithful love. He is granted a brief respite once every seven years to seek redemption. In this 2020 Met production, the spectral captain lands in a Norwegian village during a storm, where he encounters Senta, a woman captivated by his story and willing to sacrifice herself to break his curse. The opera explores themes of redemption, love, and the supernatural.
Critical Reception
The 2020 Metropolitan Opera production of 'The Flying Dutchman' was met with a generally positive reception, with praise often directed towards the vocal performances, particularly Bryn Terfel as the Dutchman. The staging and visual aspects also received attention. While the musical execution was largely commended, some critiques touched upon specific directorial choices or the overall interpretation of Wagner's complex score.
What Reviewers Say
Praised for Bryn Terfel's commanding and nuanced portrayal of the Dutchman.
Commendations for the powerful orchestral performance and rich vocal contributions.
Mixed to positive reactions regarding the visual production and specific directorial interpretations.
Google audience: Audience feedback for this production was generally favorable, with many highlighting the impressive vocal talents and the emotional depth of the performances. The dramatic intensity of Wagner's music resonated well with viewers, although specific staging elements sometimes divided opinions.
Fun Fact
The premiere of Wagner's 'The Flying Dutchman' in 1843 was itself somewhat fraught; the intended tenor for Erik became ill, and the conductor had to step in, leading to a less-than-ideal opening night.
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