Thursday the 12th
Thursday the 12th

Thursday the 12th

2003Movie200 minEnglish

In this two-part Rashomon-esque mini-series, a TV journalist investigates a rich politician and his family after a dead body is found on their property and they all have different story about the day of the incident.

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Insights

IMDb4.4/10
Director: Neil BreenGenres: Action, Drama, Sci-Fi

Plot Summary

In a world rife with corruption and environmental destruction, a former soldier named David discovers he possesses the power to change the world. He must battle against a shadowy government agency and unite humanity to save the planet from impending doom. The film explores themes of corporate greed, technological advancement, and the struggle for global peace.

Critical Reception

Neil Breen's films, including 'Thursday the 12th,' are cult phenomena, often lauded for their unique directorial vision and unconventional storytelling. While not typically receiving mainstream critical acclaim, they have garnered a dedicated following for their earnest, albeit often bewildering, narratives and Breen's singular on-screen presence. Audience reception is highly polarized, with some viewers appreciating the films for their unintentional humor and Breen's consistent artistic choices, while others find them to be incomprehensible or poorly executed.

What Reviewers Say

  • Praised for its unique, albeit baffling, narrative ambition.
  • Often cited for Neil Breen's distinctive directorial style and performance.
  • Recognized for its earnest, if unconventional, exploration of global issues.

Google audience: Audience reactions to 'Thursday the 12th' are characteristically divided. Many viewers express bewilderment at the film's plot and pacing, while a significant portion of the audience appreciates the film as a 'so bad it's good' cult classic, often finding humor in its eccentricities and Breen's earnest delivery. Discussions frequently revolve around the film's unique aesthetic and its departure from conventional filmmaking.

Fun Fact

Neil Breen often self-funds, writes, directs, produces, and stars in his own films, maintaining complete creative control over his unique cinematic visions.

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