Azazel Son of the Devil
Azazel Son of the Devil

Movie spotlight

Azazel Son of the Devil

2015
Movie
90 min
Arabic

With an evil magic spell, the devil (Azazel, son of Iblis) is prepared to harm an innocent girl (Rowan Fouad). Azazel asks for a sacrifice from the woman who prepared the spell. The sacrifice is accepted, and the magic is performed. Azazel disguises the girl and makes her do terrifying and crazy things. However, her childhood sweetheart (Ayman Ismail), who happens to have the ability to detect possession, learns the news. Together, the two lovers unite to defeat the devil (Azazel).

Insights

IMDb4.5/10
Director: Roberto "Rob" DuránGenres: Horror

Plot Summary

A group of friends ventures into an abandoned mental institution rumored to be haunted by the spirit of Azazel, a patient who believed himself to be the son of the devil. As they explore the decaying halls, they uncover dark secrets and disturbing experiments conducted within its walls. Soon, they find themselves trapped and tormented by the malevolent entity, struggling to survive the night as Azazel's influence grows stronger.

Critical Reception

Azazel Son of the Devil received a mixed to negative reception from critics and audiences, often cited for its low budget and derivative plot. While some praised its attempts at atmospheric horror and gore, many found the execution lacking in originality and technical proficiency. It remains a niche title within the found-footage horror subgenre.

What Reviewers Say

  • Relies heavily on jump scares and a familiar haunted location premise.

  • Low production values and inconsistent pacing detract from the horror elements.

  • Offers little in terms of character development or narrative innovation.

Google audience: Audience reviews for Azazel Son of the Devil are scarce, but the few available suggest a film that is considered cliché and poorly executed by many viewers who appreciate more polished horror productions. It's often described as a forgettable entry in the genre.

Fun Fact

The film was shot on a very limited budget, with much of its production relying on volunteer cast and crew, contributing to its raw, independent aesthetic.

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