

Movie spotlight
Time Has Come
In a time and place indeterminate a bandit has kidnapped Rixo Lomadis Bron’s daughter. Bron is a wealthy landowner who reigns over the shepherds of the Purple Mountain. The time has come when Rixo Lomadis Bron accuses Manjas-Kebir of killing his daughter and urges all the country’s inhabitants to track down the assassin. It’s the time when Radovan Remila Stoï, the land’s greatest warrior, rises up against this foolhardy act which has every chance of leading to war...
Insights
Plot Summary
This documentary by Kazuhiro Soda observes the daily lives of residents in the small Japanese town of Sekai, focusing on their routines, interactions, and the quiet passage of time. It offers an intimate and unvarnished look at ordinary lives, devoid of dramatic narrative or explicit commentary. The film captures moments of mundane beauty and the subtle emotional undercurrents present in the community.
Critical Reception
"Time Has Come" was critically acclaimed for its minimalist style and profound observation of everyday life. Critics praised Soda's patient and immersive approach, highlighting its ability to evoke a sense of deep empathy for its subjects. It was particularly noted for its quiet power and contemplative nature, offering a unique perspective on human existence.
What Reviewers Say
Praised for its unpretentious and observational style.
Lauded for its profound insights into the human condition through everyday moments.
Appreciated for its patient and immersive filmmaking.
Google audience: Audience reception for "Time Has Come" is largely positive, with viewers frequently commending its realistic portrayal of life and its meditative quality. Many appreciated the film's ability to find beauty and meaning in the ordinary, though some found its slow pace challenging.
Awards & Accolades
Screened at numerous international film festivals, including the Yamagata International Documentary Film Festival.
Fun Fact
Director Kazuhiro Soda is known for his minimalist documentaries that often capture long periods of time with minimal directorial intervention, allowing the subjects and their environment to speak for themselves.
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