A Maluquinha de Arroios
A Maluquinha de Arroios

Movie spotlight

A Maluquinha de Arroios

1970
Movie
0
Portuguese

Current adaptation. Farce about the tribulations of two families, their respective maids, and also a manicurist, a prosecutor, and a police officer, revolving around the unbridled pursuit of romantic adventures. At issue are the scandals of a crazy woman, which lead the neighbors to complain to the police and force the landlord's representative to take eviction action against her for having a parrot that shouts "Hey, guard!" and a monkey (Geribau) that torments everyone with its mischief...

Insights

Director: José Fonseca e CostaGenres: Comedy, Drama

Plot Summary

Set in Lisbon, the film follows the lives of several characters who are connected by their shared experiences and eccentricities. It delves into the social dynamics and personal struggles of ordinary people in the Arroios neighborhood, portraying their joys, sorrows, and peculiar habits with a blend of humor and pathos. The narrative unfolds as a series of vignettes, capturing the essence of everyday life and the unique personalities that populate this urban landscape.

Critical Reception

A Maluquinha de Arroios is a significant film in Portuguese cinema, noted for its realistic portrayal of Lisbon's working-class neighborhoods and its empathetic, yet unsentimental, look at its characters. It was appreciated for its authentic dialogue and its ability to capture a specific social milieu, though it might be considered less polished by contemporary standards. Critical reception at the time highlighted its originality and its departure from more conventional cinematic narratives.

What Reviewers Say

  • Praised for its authentic depiction of Lisbon life.

  • Appreciated for its unique blend of humor and drama.

  • Noted for its character-driven narrative and realistic dialogue.

Google audience: Information on Google user reviews is not readily available for this film.

Fun Fact

José Fonseca e Costa, the director, was also a notable cinematographer, and this film marked one of his early directorial efforts in fiction feature films after a career primarily in documentaries.

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