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George McAllister, the black sheep of a wealthy family who has squandered his share of the family inheritance, lives in constant jealousy, hatred and resentment of his half-brother Barry, who has been supporting him. George gets his girlfriend, Carlotta Duval, a job as Barry's nurse, with the idea being to marry him, kill him, and inherit his money—and marrying George.
A young woman, employed as a hat-check girl, becomes entangled with a gangster and a detective. She is drawn into a world of crime and danger as she attempts to navigate her relationships and escape her circumstances. The narrative explores themes of betrayal, greed, and the search for redemption amidst a backdrop of urban decay.
The Flame is a lesser-known but intriguing film noir, often noted for its atmospheric cinematography and distinctive visual style, typical of director John Alton's work. While not a mainstream critical darling upon release, it has gained a cult following among noir enthusiasts for its gritty portrayal and dark aesthetic.
Praised for its stylish, shadowy cinematography and mood.
Criticized for a somewhat convoluted plot and melodramatic elements.
The performances are generally seen as fitting the noir genre conventions.
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The film is notable for being directed by John Alton, who was primarily known as a celebrated cinematographer, and this was one of his few directorial efforts.
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This is told by way of the reading of a letter that explains the story of how "George" (John Carroll) has frittered away his family inheritance and is now dependent on his half-brother "Barry" (Robert Paige) - a situation which he bitterly ...