Underground

In this epic Serbian comedy-drama, two friends, Marko and Petar, are involved in the illicit arms trade during World War II. Marko deceives Petar and others into hiding underground for decades, believing the war is still ongoing, while he profits from their labor and exploits their wives. Upon finally emerging, they find themselves in a vastly changed world, leading to further chaos and absurdity.

Underground is a visually extravagant and sprawling epic that garnered significant critical attention, winning the Palme d'Or at Cannes. While lauded for its ambitious scope, energy, and Kusturica's unique directorial vision, some critics found its runtime challenging and its political commentary complex and open to interpretation. Audiences were divided, with some embracing its wild, surreal style and others finding it overwhelming.

• Praised for its vibrant energy, sprawling narrative, and Kusturica's distinctive directorial flair.

• Some critics found the film's lengthy runtime and complex political undertones demanding.

• The film's chaotic and surreal storytelling is a hallmark of Kusturica's style, polarizing some viewers.

Google audience: Google users largely appreciate the film's unique cinematic style, its historical scope, and the memorable characters. While some find it a bit long and dense, the majority celebrate its artistic ambition and powerful storytelling.

Palme d'Or at the 1995 Cannes Film Festival.

The film was originally intended to be a documentary about the Bosnian War, but Kusturica expanded it into this fictional, allegorical epic.