Faces
Faces

Movie spotlight

Faces

1985
Movie
Adult · 18+
85 min
English

'Faces' is the hottest new club around - but even before the doors open ther's action galore as the Bartender teacher his assistant all about "cock-tales." Once the place is packed, dancers and customers give new meaning to the worlds "Highball" and "On the House" as they indulge their fantasies.

Insights

IMDb7.6/10
Rotten Tomatoes92%
Director: John CassavetesGenres: Drama

Plot Summary

A middle-aged Los Angeles executive, Richard Frost, is unhappily married and decides to leave his wife, Nancy. Their divorce is painful and complicated, exposing the raw emotions and deep-seated issues within their relationship and their respective lives. The film explores the complexities of modern marriage, alienation, and the search for connection in a disconnected world.

Critical Reception

John Cassavetes' 'Faces' is a raw and unflinching portrayal of marital breakdown and emotional turmoil. Critics lauded its realism and the powerful performances of its cast, particularly Gena Rowlands and Seymour Cassel, who were praised for their vulnerability and authenticity. The film's cinéma vérité style and improvised dialogue contributed to its intense and immersive experience, though some found its bleakness and length challenging.

What Reviewers Say

  • Praised for its unflinching realism and raw emotional depth.

  • Gena Rowlands and Seymour Cassel deliver tour-de-force performances.

  • The film's vérité style and improvisational nature create an intense, intimate experience.

Google audience: Information not available.

Awards & Accolades

Nominated for three Academy Awards: Best Actor (Seymour Cassel), Best Supporting Actress (Gena Rowlands), and Best Original Screenplay (John Cassavetes). Gena Rowlands also won the Volpi Cup for Best Actress at the Venice Film Festival.

Fun Fact

John Cassavetes famously shot 'Faces' with a small crew and allowed his actors significant freedom to improvise their dialogue, contributing to the film's naturalistic and often uncomfortable realism.

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