Ten

The film follows a Tehran woman as she navigates a series of relationships, each explored through distinct segments. Each segment is characterized by the woman picking up a different passenger in her car, revealing different facets of her life and personality. The narrative is structured in three movements, each focusing on a different aspect of her experiences and connections.

Ten received widespread critical acclaim for its innovative narrative structure, minimalist aesthetic, and profound exploration of female identity and societal constraints in contemporary Iran. Critics lauded Kiarostami's directorial mastery and the film's subtle yet impactful storytelling.

• Praised for its unique and minimalist storytelling approach.

• Commended for its insightful portrayal of contemporary Iranian women.

• Applauded for Abbas Kiarostami's distinctive directorial vision.

Google audience: Audience reviews frequently highlight the film's thought-provoking nature and its ability to spark discussion about societal norms and personal freedom. Many appreciate its artistic merit and unique cinematic style.

Nominated for the Palme d'Or at the 2002 Cannes Film Festival.

The film was shot entirely within a single car, with most of the dialogue improvised by the actors based on Kiarostami's guidance.