Antzela, o peirasmos
Antzela, o peirasmos

Movie spotlight

Antzela, o peirasmos

1988
Movie
98 min
Greek

Two high-end jewelry designers in a deadly feud. A wealthy shipowner who wants to secure his social status. A suspicious anarchist whose motives no one knows. A private detective who tries in vain to imitate James Bond, and three eccentric photographers with their own peculiarities. These are the people who bring Angela's life to a dead end. Angela, a sought-after photo model whose ambitions are aimed at the glittering world of show business and singing, will at some point find herself deeply entangled in an extravagant adventure of great interests and unrestrained erotic passions, with no one able to predict what will happen next...

Insights

Director: Omiros EfstratiadisGenres: Comedy, Drama

Plot Summary

A young woman named Angela is drawn into a life of crime and exploitation after a series of unfortunate events. She navigates a dangerous world, struggling to survive and maintain her integrity. The film explores themes of poverty, desperation, and the corrupting influences of society. Her journey is fraught with challenges as she seeks a way out of her predicament.

Critical Reception

This film is generally considered a low-budget exploitation drama from Greece. Critical reception is scarce due to its niche and often overlooked status within international cinema. Audience reception likely varies, with some viewers appreciating its raw portrayal of societal issues and others finding it sensationalist.

What Reviewers Say

  • Often categorized as an exploitation film, its artistic merit is frequently debated.

  • Praised by some for its candid depiction of hardship, but criticized by others for its sensationalism.

  • A lesser-known Greek film that offers a gritty look at desperate circumstances.

Google audience: Information on Google user reviews is not readily available for this specific film.

Fun Fact

The film is known for its provocative themes and direct approach to social issues within the context of Greek cinema of the late 1980s.

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