Lisztomania

This highly stylized and anachronistic film uses the life of Franz Liszt as a jumping-off point for a surreal exploration of fame, sex, and artistic genius. It blends historical events with fantastical elements, presenting Liszt as a rock star of his era, pursued by adoring fans and scandalous gossip. The narrative loosely follows Liszt's rise to international stardom, his complex romantic life, and his confrontations with critics and rivals.

Lisztomania was met with a largely polarized critical response. While some praised its audacious visual style, energetic performances, and unconventional approach to biographical filmmaking, others found it to be chaotic, excessive, and overly pretentious. Its avant-garde nature made it a divisive film that challenged traditional biopic conventions.

• Praised for its vibrant and experimental visual style.

• Roger Daltrey's energetic performance as Liszt was a highlight for some.

• Criticized for its narrative incoherence and over-the-top theatrics.

Google audience: Audience reviews are mixed, with many appreciating the film's unique artistic vision and Daltrey's energetic portrayal. However, a significant portion of viewers found the film too bizarre, confusing, and lacking a cohesive storyline.

Ken Russell originally wanted The Beatles to play the Four Horsemen of the Apocalypse, but they had broken up by the time of filming.