Offering to the Storm

In the Basque Country, Inspector Amaia Salazar investigates a series of unsettling events linked to a ritualistic offering to the storm goddess Mari. As she delves deeper, she uncovers a dark pact and a conspiracy that connects the current disturbances to her own past and the mysterious death of her nephew. Amaia must confront both external dangers and her inner demons to protect her family and solve the case before another child is sacrificed.

Offering to the Storm, the final installment of the Baztán Trilogy, received a generally positive reception, praised for its atmospheric tension and satisfying conclusion to the overarching narrative. While some critics found the plot intricate, the performances and the film's adherence to its gothic and suspenseful tone were widely appreciated, cementing its place as a compelling supernatural thriller.

• Praised for its atmospheric and suspenseful storytelling.

• Appreciated for concluding the trilogy with a satisfying, albeit complex, narrative.

• Marta Etura's performance as Amaia Salazar was highlighted as a strong point.

Google audience: Audience reviews generally highlight the film's effective suspense and dark atmosphere, with many appreciating it as a fitting end to the Baztán Trilogy. Some viewers found the plot dense, but the overall sentiment is positive, with praise for the performances and the gripping narrative.

Nominated for Best Adapted Screenplay at the Goya Awards.

The film is the third and final installment of the Baztán Trilogy, based on the novels by Dolores Redondo, following 'The Body of Innocence' (2017) and 'The Invisible Guardian' (2017).