Movie spotlight
Que idiotas son los hombres
After divorcing her cheating husband, a newly single still and beautiful woman, (played by Actress Rosa Carmina), travels to Acapulco. She soon becomes the center of attention and spoiled for choice when she finds herself wooed by no less than four handsome suitors, three of whom are very wealthy and prominent men. Initially torn between her head and her heart, but mindful of past mistakes, Carmina's character chooses love over money and picks a humble and hard-working waiter. Directed by Juan Orol, (Carmina's soon-to-be ex-husband in real-life), this drama features the long, drawn-out scenes and shadowy film noir techniques which he became well- known for.
Insights
Plot Summary
A comedic look at the differences between men and women, as two families navigate misunderstandings and societal expectations. The story unfolds through a series of humorous situations and witty dialogues, highlighting the often-absurd ways men and women interact. It's a classic Mexican comedy of manners that pokes fun at traditional gender roles.
Critical Reception
This film was a popular release in Mexican cinema during its time, generally well-received by audiences for its lighthearted humor and relatable, albeit exaggerated, portrayal of relationships. Critical reviews often highlighted its comedic performances and witty screenplay, typical of the era's popular comedies.
What Reviewers Say
Praised for its entertaining comedic performances, especially from lead Fernando Soler.
Noted for its light, escapist humor that resonated with post-war audiences.
Considered a representative example of popular Mexican comedies from the Golden Age of Mexican cinema.
Google audience: Audience reception is difficult to gauge with modern metrics, but contemporary reports indicate it was a popular and amusing film for its time, appreciated for its humorous take on everyday relationships and societal observations.
Fun Fact
The film stars Fernando Soler, who was one of the most prolific and popular actors in Mexican cinema, often typecast in paternal or authority figures, but here also taking on a significant comedic role.
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