Black God, White Devil

In the arid backlands of Brazil, a dangerous outlaw named Manuel seeks a new life after leaving his gang. He joins a religious sect led by a messianic figure, hoping to find salvation. However, his violent past and the corruptible nature of power soon drag him back into a brutal conflict, blurring the lines between faith, politics, and savagery.

Black God, White Devil is considered a landmark of Brazilian cinema and a seminal work of the Cinema Novo movement. It was widely acclaimed for its raw depiction of social and political issues, its unique aesthetic, and its bold exploration of faith and violence in a historical context. It remains a highly influential film both domestically and internationally.

• Praised for its visceral portrayal of Brazilian poverty and religious fervor.
• Hailed as a masterpiece of political cinema and artistic rebellion.
• Lauded for its innovative cinematography and powerful performances.

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Screened at the Cannes Film Festival in 1964.

Glauber Rocha's distinctive 'aesthetic of hunger' was a core philosophy of Cinema Novo, aiming to reflect the harsh realities of Brazil through a raw and often confrontational cinematic style, which is powerfully evident in this film.