Movie spotlight
Coming Attractions
“Coming Attractions” looks backward into the memories and forward into the future of Francis Francine, an elegantly dowdy transvestite of, and indeed beyond, a certain age. The memories, haunted by a Spirit of Seductions Past (played by a quite glorious naked young lady who fortunately bears absolutely no resemblance to Francis Fran cine) suggest a generally lurid life of sumptuous sex and questionable liaisons. The future, presented by an ancient fortune teller with a wonderful crystal ball that holds a lively go‐go dancer and that seems to mediate between interchanging black and white halves of the screen, follows Francis Francine through the reactivation of an ancient affair, to her death (a jealous ex‐lover) and her triumphant entrance into a pastoral paradise that looks like a cross between several scenes from “81/2” and “The Embarkation for Cythera” in drag.
Insights
Plot Summary
This short documentary offers a glimpse into the world of cinema previews and trailers from the early 1970s. It showcases a montage of coming attractions, highlighting the diverse range of films that audiences could expect to see in theaters. The film serves as a time capsule, capturing the excitement and anticipation surrounding movie releases of that era.
Critical Reception
As a short documentary primarily functioning as a compilation of film trailers, 'Coming Attractions' did not receive widespread critical reviews in the traditional sense. Its value lies in its archival nature, preserving a specific aspect of film exhibition history. Audience reception would have been tied to the contexts in which it was shown, likely as a prelude to feature films.
What Reviewers Say
A brief, nostalgic look at movie trailers from a bygone era.
Offers a unique historical perspective on film promotion.
Its brevity makes it a quick, interesting watch for cinephiles.
Google audience: Information regarding specific Google user reviews for this short documentary is not readily available, likely due to its niche nature and age. Typically, such compilations are appreciated for their historical value and the unique insight they provide into past filmmaking and exhibition practices.
Fun Fact
This film is essentially a curated collection of trailers for films that were being advertised in 1970, making it a meta-commentary on the cinematic landscape of that year.
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