La casa senza tempo
La casa senza tempo

La casa senza tempo

1945Movie75 minItalian

A captain, a well-known flying ace, is developing his own device which will make a notable contribution to the prestige of his country's air force. One evening he occasionally meets a girl who strikes him with her mysterious behavior. In fact, he witnesses some completely inexplicable events that disturb him and take away the necessary serenity of mind to attend to his work, from which he feels detached. An explosion in the laboratory brings to the attention of an entire espionage network that was working to prevent the realization of the project.

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Director: Enrico BombaGenres: Drama

Plot Summary

A young woman, Isabella, is engaged to a wealthy industrialist, but harbors a secret love for a struggling artist, Marco. Her family pressures her to marry for financial security, creating a deep internal conflict. As the wedding approaches, Isabella must confront her true desires and the consequences of her choices. The film explores themes of societal expectations, love, and personal freedom in post-war Italy.

Critical Reception

This lesser-known Italian drama from the mid-1940s received a modest reception upon its release. Critics at the time noted its competent direction and earnest performances, particularly from Mariella Lotti in the lead role. However, many found the plot to be somewhat conventional and lacking in originality, adhering to familiar melodramatic tropes. Audience reception was likely limited due to its relatively low profile compared to other Italian films of the era.

What Reviewers Say

  • Praise for Mariella Lotti's central performance.
  • Criticism for a predictable and melodramatic plot.
  • Appreciation for the film's competent, albeit uninspired, direction.

Google audience: Information on specific Google user reviews for this film is not readily available due to its age and limited distribution.

Fun Fact

The film was produced by Enrico Bomba's own production company, "Enrico Bomba Produzione," highlighting the independent nature of much Italian filmmaking in the post-war period.

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