
Movie spotlight
Crazy Rally
Visual experience with genitalia in a political struggle. Written, Produced and Directed by Petter Baiestorf, with a tasty edition by Gurcius Gewdner and magical photography by Daniel "Australian" Yencken and the genitalia of barbarian Coffin Souza. Don't vote for anyone !!!
Insights
Plot Summary
A satirical dark comedy that follows a nomadic, seemingly aimless group of individuals as they traverse China in pursuit of elusive dreams and personal freedom. Their journey is marked by a series of bizarre encounters and increasingly absurd situations, reflecting the societal shifts and economic disparities of contemporary China. The film blends moments of profound melancholy with biting social commentary, offering a unique and often surreal glimpse into the lives of its unconventional characters.
Critical Reception
Crazy Rally, also known as "A Touch of Sin", received widespread critical acclaim for its daring storytelling, Jia Zhangke's masterful direction, and its unflinching portrayal of modern Chinese society. Critics lauded its blend of violence, social critique, and dark humor, though some found its depiction of violence to be intense. It was recognized for its artistic merit and its ability to spark dialogue about pressing social issues.
What Reviewers Say
Praised for its bold and unflinching social commentary on contemporary China.
Lauded for Jia Zhangke's distinctive directorial style and compelling performances.
Noted for its intense and often violent portrayal of societal issues.
Google audience: Audiences generally appreciated the film's artistic merit and its provocative exploration of social issues in China, with many finding it thought-provoking and impactful, despite the challenging subject matter.
Awards & Accolades
Won Best Screenplay at the 2013 Cannes Film Festival and nominated for the Palme d'Or. Also awarded Best Film at the 2013 Asia-Pacific Film Festival.
Fun Fact
The film's title in China, "Tian Zhu Ding" (A Touch of Sin), was initially approved by censors but was later banned from the Shanghai International Film Festival screenings and its theatrical release was delayed, highlighting the sensitive nature of its themes.
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