Greata (Nàusea)

In a rural Brazilian community, a young indigenous girl named Dinah experiences a series of disturbing visions and unsettling events following the discovery of a strange, pulsating entity in the nearby forest. As these phenomena escalate, the boundaries between reality and hallucination blur, threatening to consume her and her family. The film explores themes of cultural identity, ecological distress, and the anxieties of a community grappling with an unknown force.

Nàusea (Nausea) garnered significant attention on the festival circuit for its unique blend of indigenous folklore, body horror, and socio-environmental commentary. Critics praised its atmospheric tension, striking visuals, and the director's bold, experimental approach. However, its challenging narrative and unsettling themes polarized some viewers, leading to a mixed but notable reception.

• Praised for its striking, often disturbing visual style and exploration of indigenous themes.

• Appreciated for its innovative fusion of folklore and body horror.

• Noted for its unsettling atmosphere and ambiguous narrative, which can be divisive.

Google audience: Audience reception for Nàusea is largely driven by its unconventional and challenging nature. Many viewers found the film to be a unique and impactful experience, appreciating its artistic merit and the way it delves into complex social and environmental issues through a horror lens. However, some found the pacing slow or the disturbing imagery overwhelming, leading to a less favorable impression.

Screened at prominent film festivals such as the Toronto International Film Festival (TIFF) and the Sitges Film Festival.

The film's title, 'Nàusea,' translates to 'Nausea' in English, reflecting the visceral and unsettling experience the movie aims to evoke in its audience.