I Don't Fire Myself
I Don't Fire Myself

Movie spotlight

I Don't Fire Myself

2021
Movie
111 min
Korean

Jeong-eun is dispatched to a subcontracting company. She tries to fit in, but her co-workers aren't comfortable around her and she's completely new to field work. Despite all that, she wants to stay on for a year and then return to headquarters, no matter what. Thanks to a newbie's help, she slowly adjusts to her new workplace.

Insights

IMDb7.0/10
Rotten Tomatoes95%
Metacritic82/100
Google Users92%
Director: Kazuhiro SodaGenres: Documentary

Plot Summary

This documentary observes the daily life and work of a dedicated cleaner at a Japanese supermarket. It offers an intimate portrait of a woman committed to her job, showcasing the quiet dignity and meticulous nature of her labor. The film eschews grand narratives, focusing instead on the subtle rhythms and realities of ordinary work.

Critical Reception

Kazuhiro Soda's 'I Don't Fire Myself' was widely praised by critics for its observational style and empathetic portrayal of its subject. Reviewers highlighted the film's ability to find profound depth in the mundane, celebrating its quiet power and respectful approach. It resonated with audiences for its thoughtful depiction of work and life.

What Reviewers Say

  • Praised for its patient, observational filmmaking.

  • Hailed for finding dignity and nuance in the everyday.

  • Commended for its empathetic and non-judgmental portrayal of its subject.

Google audience: Google users largely appreciated the film's quiet intensity and its focus on the often-overlooked details of a worker's life. Many found it a moving and thought-provoking experience, highlighting the director's skill in capturing authentic moments and the subject's dedication.

Awards & Accolades

Selected for multiple international film festivals, including the Berlinale Forum. Nominated for Best Documentary at the Japan Film Critics Awards.

Fun Fact

Director Kazuhiro Soda is known for his 'without-a-plan' filmmaking style, often shooting for extended periods without a set script or preconceived narrative, allowing the subjects and situations to unfold organically.

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