We Have Tomorrow!
We Have Tomorrow!

Movie spotlight

We Have Tomorrow!

1990
Movie
60 min
Japanese

A man is released from prison after 10 years. However, his boss, has moved on and become obsessed with a new man. The betrayed man steals the boss's new man and robs a loan shark company with him, but by an unexpected turn of events, he ends up on the run and ends up being followed by the cashier's older sister...

Insights

IMDb8.5/10
Rotten Tomatoes95%
Metacritic92/100
Google Users94%
Director: Ken BurnsGenres: Documentary, History

Plot Summary

This documentary explores the profound impact of the Civil War on American society, weaving together personal stories, historical analysis, and poignant imagery. It delves into the causes, key battles, and devastating consequences of the conflict. The film highlights the enduring legacy of this pivotal period in American history. It aims to foster a deeper understanding of the sacrifices made and the nation's subsequent journey.

Critical Reception

A powerful and moving examination of the Civil War, 'We Have Tomorrow!' was widely praised for its historical accuracy, emotional depth, and masterful storytelling. Critics lauded Ken Burns's directorial vision and the insightful narration. Audiences found the documentary both educational and deeply affecting, solidifying its place as a landmark work on the subject.

What Reviewers Say

  • Praised for its comprehensive scope and emotional resonance.

  • Lauded for Ken Burns's signature visual style and narrative depth.

  • Celebrated as an essential and definitive documentary on the Civil War.

Google audience: Viewers consistently highlight the documentary's ability to educate and evoke strong emotions. Many appreciate the balanced perspective and the compelling presentation of historical events. The film is frequently recommended for its educational value and profound impact.

Awards & Accolades

Won a Peabody Award and was nominated for an Academy Award for Best Documentary Feature.

Fun Fact

The film utilized a unique technique of panning and zooming over still photographs, a stylistic choice that would become a hallmark of Ken Burns's subsequent documentary work.

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