Umma

Amanda and her daughter Chris live a quiet life on an isolated farm in America. However, their peaceful existence is shattered when the remains of Amanda's estranged mother arrive from Korea. Soon, unsettling occurrences begin, and Amanda starts to believe her mother's spirit, the 'Umma,' is haunting her. Chris becomes increasingly concerned as her mother's behavior grows erratic, and the lines between reality and the supernatural blur.

Umma received a largely negative reception from critics, with many finding the film to be a predictable and uninspired entry into the supernatural horror genre. While Sandra Oh's performance was often praised, the script and pacing were frequently criticized for being underdeveloped and relying on tired horror tropes. Audience reception was mixed, with some appreciating the film's attempts at exploring themes of motherhood and cultural identity, while others found it too slow and lacking in genuine scares.

• Relies too heavily on familiar horror clichés, resulting in a predictable and often unoriginal narrative.
• Sandra Oh delivers a compelling performance, but it's not enough to elevate the film's weak script and slow pacing.
• The film struggles to effectively balance its themes of generational trauma and supernatural horror, leading to a muddled experience.

Google audience: Google users found 'Umma' to be a mixed bag, with some appreciating the emotional core and Sandra Oh's performance. However, many felt the film was too slow, lacked sufficient scares, and suffered from a predictable plot that didn't fully deliver on its premise.

The title 'Umma' means 'mother' in Korean, and the film draws heavily on Korean folklore and themes of mother-daughter relationships and generational trauma.