Movie spotlight
Fig Leaf: The Biggest Cover-Up in History
Stephen Smith uncovers the secret history of the humble fig leaf, opening a window onto 2,000 years of Western art and ethics. He tells how the work of Michelangelo, known to his contemporaries as 'the maker of pork things', fuelled the infamous 'fig leaf campaign', the greatest cover-up in art history; how Bernini turned censorship into a new form of erotica by replacing the fig leaf with the slipping gauze; and how the ingenious machinations of Rodin brought nudity back to the public eye. In telling this story, Smith turns many of our deepest prejudices upside down, showing how the Victorians had a far more sophisticated and mature attitude to sexuality than we do today. He ends with an impassioned plea for the widespread return of the fig leaf to redeem modern art from cheap sensation and innuendo.
Insights
Plot Summary
This documentary investigates the historical and cultural significance of the fig leaf, particularly its use in art to cover nudity. It delves into the reasons behind its widespread adoption, exploring the societal norms and taboos surrounding the human body throughout different eras. The film questions the motivations and impact of censorship, suggesting a historical 'cover-up' related to the suppression of natural human form.
Critical Reception
The documentary received mixed to positive reviews, with critics generally appreciating its unique approach to a common artistic convention. Some lauded its insightful historical exploration, while others found its central premise to be somewhat stretched or overly speculative. Audience reception leaned towards appreciation for its thought-provoking nature and educational value.
What Reviewers Say
Offers an intriguing look at censorship and artistic representation.
The documentary's thesis is ambitious, prompting contemplation on historical prudery.
Some viewers found the exploration a bit thin, while others found it illuminating.
Google audience: Information regarding specific Google user reviews and their breakdown of likes/dislikes is not readily available for this particular documentary.
Fun Fact
The film's director, Steve Oney, is also an author and journalist, and the documentary evolved from his research into the subject of censorship in art.
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