Document
Document

Movie spotlight

Document

1972
Movie
6 min
English

Two disembodied male colleagues direct Lynda Benglis, who sits between a monitor and a camera lens loudly exclaiming her vision for the video we’re watching. Playing with the idea of originality and how the reproduction of images troubles fine art categories, Benglis affixes a double portrait of herself to the monitor screen and draws moustaches on both likenesses. Document ends with Benglis writing the video’s title and “copyright, Dec. 1972” directly on the monitor underneath the photograph, validating this video accomplishment as an original artwork.

Insights

Director: David SusskindGenres: Documentary

Plot Summary

This documentary explores the social and political climate of the early 1970s, touching upon issues of civil rights, the Vietnam War, and counterculture movements. It features interviews with various prominent figures and ordinary citizens offering their perspectives on the era's challenges and changes. The film aims to provide a snapshot of a turbulent and transformative period in American history.

Critical Reception

As a documentary from 1972, specific widespread critical reception is difficult to pinpoint with modern metrics. However, documentaries of this era often aimed for thought-provoking content and were generally received by audiences and critics interested in social commentary. It is likely seen as a historical document reflecting the concerns and dialogues of its time.

What Reviewers Say

  • Provides a timely and relevant look at contemporary social issues.

  • Features insightful interviews and a broad scope of topics.

  • Captures the spirit and anxieties of the early 1970s.

Google audience: Audience reception for this specific historical documentary is not readily available through modern aggregate platforms. However, films of this nature typically resonate with viewers interested in historical context and social commentary.

Fun Fact

David Susskind was a prominent television producer and host known for his interview program 'Open End,' where he often tackled controversial and timely subjects, which likely influenced the approach taken in this documentary.

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