First Cow: A Place in This World
First Cow: A Place in This World

Movie spotlight

First Cow: A Place in This World

2020
Movie
27 min
English

Behind the scenes of the creation of Kelly Reichardt's First Cow (2019).

Insights

IMDb6.8/10
Rotten Tomatoes96%
Metacritic89
Google Users88%
Director: Kelly ReichardtGenres: Drama, Western

Plot Summary

In 1820s Oregon Territory, Cookie Figowitz, a skilled cook, and King-Lu, an enterprising Chinese immigrant, form an unlikely friendship. Together, they hatch a plan to seize a bit of the American dream by stealing milk from the wealthy landowner's only cow to bake delicious "oily cakes" to sell at the local market. Their secret business thrives, but they soon discover that their precarious success hinges on the goodwill of the powerful and the limited availability of their secret ingredient.

Critical Reception

First Cow was met with widespread critical acclaim, praised for its quiet storytelling, rich atmosphere, and nuanced performances. Critics lauded Kelly Reichardt's signature minimalist style and her ability to evoke a strong sense of time and place with subtle details. Audiences also appreciated the film's gentle humor and its poignant exploration of friendship and aspiration.

What Reviewers Say

  • Praised for its deliberate pacing and rich, authentic atmosphere.

  • John Magaro and Orion Lee deliver compelling performances as the central duo.

  • A poignant and understated examination of friendship and the pursuit of dreams.

Google audience: Audiences largely appreciated the film's unique, slow-burn narrative and the touching friendship between the two protagonists. The historical setting and its subtle portrayal of early American life were also highlighted as strengths, though some found the pace to be very measured.

Awards & Accolades

Nominated for the Golden Lion at the Venice Film Festival. Won awards at various film festivals including the Gotham Independent Film Awards for Best Feature.

Fun Fact

The film's distinctive, rustic look was achieved using 16mm black and white film, a choice that director Kelly Reichardt felt was essential to capturing the period's aesthetic and the story's contemplative mood.

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