The Upper Hand

In this stylish crime-comedy, two charming con men, Alain and Jean, arrive in Paris with grand ambitions. They cross paths with the alluring Simone, who possesses a mysterious connection to a wealthy industrialist. As they become entangled in a web of deceit, double-crosses, and escalating schemes, their initial plans for easy money spiral into a dangerous game of cat and mouse.

The Upper Hand is a breezy, entertaining caper film that benefits from the charismatic performances of its lead actors. While not a groundbreaking piece of cinema, it successfully blends humor and suspense, offering a lighthearted look at the world of Parisian tricksters. Critics at the time noted its stylish direction and witty dialogue, making it a solid, albeit forgettable, entry in the genre.

• Praised for its lighthearted tone and comedic elements.
• The chemistry between the lead actors was a notable highlight.
• Considered an enjoyable, if somewhat predictable, crime caper.

Google audience: Audience reception for The Upper Hand is limited, with available reviews often highlighting its enjoyable comedic moments and the appeal of its star actors. It's generally viewed as a fun and stylish French crime-comedy that doesn't take itself too seriously.

Although Alain Delon and Jean-Paul Belmondo were two of the biggest French stars of the era, this was their only film together.