Antigone in Ferguson
Antigone in Ferguson is a groundbreaking project, developed by Theater of War Productions, which fuses dramatic readings by acclaimed actors of Sophocles’ Antigone with live choral music performed by a diverse choir, including activists, youth, teachers, police officers, & concerned citizens from St. Louis, Missouri & New York City, culminating in powerful, healing discussions about race & social justice. Antigone in Ferguson was conceived in the wake of Michael Brown’s death in 2014. In this version, Oscar Isaac—who plays the Theban king Creon—is joined by Tracie Thoms as Antigone, Marjolaine Goldsmith as her sister, Ato Blankson Wood as her fiancé, Willie Woodmore as the blind prophet Tiresias & New York City Public Advocate Jumaane Williams as a messenger & guard. A live choir conducted by Dr. Philip Woodmore will accompany the performance, & two of its soloists, De-Rance Blaylock & Duane Foster, have a special relationship to the subject: They were Michael Brown's teachers.
Insights
Plot Summary
This documentary reimagines Sophocles' classic Greek tragedy, Antigone, through the lens of Black women activists and mothers in Ferguson, Missouri. It powerfully connects the ancient story of defiance against unjust laws to contemporary struggles for racial justice and police accountability. The film features spoken word performances alongside interviews, creating a deeply resonant and emotionally charged experience.
Critical Reception
Antigone in Ferguson has been praised for its innovative approach to classical text and its timely exploration of social justice issues. Critics have highlighted its emotional impact and the strength of the performances by the women involved, seeing it as a vital piece of contemporary commentary.
What Reviewers Say
- A potent and moving adaptation of a classic tragedy to contemporary issues of racial injustice.
- The performances by the women of Ferguson are deeply affecting and powerful.
- The film masterfully blends ancient drama with modern activism.
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Fun Fact
The film's script was developed through a theater project involving mothers and activists who had been personally affected by the events in Ferguson.
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