
Movie spotlight
Feeling
Rianti, a young painter, shuts out the outside world in her daily life, including the sincere attention given by Wisnu, a curator who always helps to sell Rianti’s paintings. Wisnu doesn’t know that Rianti is trying to conceal her ability to see the future. At the same time, a British professor, Anthony, is searching for the answer to the disappearance of his wife, Laras, and child, Mariah. They were kidnapped when he arrived late for his child’s birthday.
Insights
Plot Summary
A woman grieving the loss of her son is drawn into a web of mystery and deception when she takes in a young orphan. As she tries to uncover the truth behind the child's past, she finds herself questioning her own sanity and the reality of her surroundings. The film blurs the lines between memory, imagination, and reality, creating a deeply unsettling atmosphere.
Critical Reception
Park Chan-wook's "Feeling" (also known as "Thirst" in some regions) garnered mixed to positive reviews from critics. While its exploration of complex themes and its distinctive visual style were often praised, some found its narrative disjointed and its horror elements less impactful than expected. Audiences were divided, with some appreciating its artistic ambition and others finding it overly bleak and confusing.
What Reviewers Say
Praised for its bold visual direction and thematic depth.
Criticized by some for a convoluted plot and uneven pacing.
The film's unsettling atmosphere and exploration of morality were frequently highlighted.
Google audience: Google users generally appreciated the film's unique atmosphere and the performances, particularly Kim Yoon-jin. However, many found the plot to be confusing and the ending unsatisfying, leading to a divided audience reaction.
Awards & Accolades
Nominated for Best Film at the Blue Dragon Film Awards.
Fun Fact
The film's original title, "Thirst," was a more direct reference to vampirism, but the title was changed to "Feeling" for its Korean release to emphasize the psychological and emotional aspects of the story.
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