We Still Kill the Old Way

In a Sicilian town, a retired schoolteacher is murdered, leading Inspector Rogas to investigate the crime. As Rogas delves deeper, he uncovers a complex web of corruption and complicity involving the town's elite and the police force. The investigation reveals a pattern of silencing individuals who threaten the established order, suggesting a conspiracy far beyond a single murder.

Elio Petri's 'We Still Kill the Old Way' (original title: 'A ciascuno il suo') was critically acclaimed for its sharp political commentary and suspenseful narrative. It is considered a significant work in the 'poliziottesco' genre, praised for its unflinching look at corruption and the subversion of justice in post-war Italy. The film resonated with audiences for its intelligent script and compelling performances.

• Praised for its intricate plot and tense atmosphere.

• Lauded for its insightful critique of political corruption and societal hypocrisy.

• Applauded for Gian Maria Volonté's powerful performance as the determined inspector.

Google audience: Audience reviews highlight the film's intelligence and its prescient exploration of systemic corruption. Many viewers found the narrative compelling and the themes relevant even decades after its release.

Won the Golden Bear at the 17th Berlin International Film Festival in 1967.

The film is based on the novel of the same name by Leonardo Sciascia, a prominent Italian writer known for his works often criticizing Italian society and politics.