Az első

In Vienna during the Anschluss, a struggling songwriter finds himself entangled with the Gestapo when he inadvertently becomes involved with a beautiful singer who is secretly working for the resistance. He must navigate a treacherous path between his artistic ambitions and the growing dangers of Nazi occupation. His choices have profound consequences for himself and those around him.

While 'Az első' (also known as 'The First' or 'The Vulture') is a lesser-known work by Fritz Lang, it is recognized for its tense atmosphere and compelling performances, particularly from Peter Lorre. It's often seen as an early exploration of themes that would define Lang's later film noir work, though its wartime production and subject matter may have limited its initial widespread critical acclaim. Audiences often find it a somber but effective thriller.

• Praised for its atmospheric tension and Peter Lorre's captivating performance.

• Considered a notable, albeit somber, example of wartime filmmaking.

• Explores complex themes of collaboration and resistance with a noir sensibility.

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Fritz Lang, an Austrian-born director, made 'Az első' during his time in Europe before he emigrated to Hollywood, and it was one of his last European productions before fleeing the Nazi regime.