In a humid, closed room, covered in sweat, saliva and semen, these girls cum over and over again, engrossed in sex

Private investigator Philip Marlowe is drawn into a convoluted case involving a missing person and a murder. As he navigates the treacherous world of wealthy elites, gangsters, and eccentrics, he uncovers a web of deceit, betrayal, and moral ambiguity. The investigation leads him through a series of increasingly bizarre encounters in the sun-drenched, yet cynical, landscape of 1970s Los Angeles.

The Long Goodbye is widely regarded as a postmodern masterpiece and a brilliant deconstruction of the classic film noir genre. Critics praised its unconventional approach, dark humor, and Altman's signature overlapping dialogue. While some found its laid-back, cynical tone a departure from traditional noir, its critical acclaim grew over time, cementing its status as a landmark film.

• A stylish and witty deconstruction of the classic detective film.

• Elliott Gould's portrayal of Marlowe is iconic and unconventional.

• Altman's direction and the film's cynical tone were praised.

Google audience: Viewers appreciated the film's unique take on the detective genre, its witty dialogue, and Elliott Gould's memorable performance as Philip Marlowe. Many enjoyed the film's stylish direction and its postmodern sensibilities, though some found its pacing and cynical outlook to be a bit slow or off-putting.

Nominated for the Palme d'Or at the Cannes Film Festival.

The film famously features a recurring musical theme, "The Long Goodbye," composed by John Williams with lyrics by Paul Williams, which is heard in various renditions throughout the movie, becoming a character in itself.