Movie spotlight
The Lizard
He steals from the rich and gives to the poor! Like Robin Hood, the title hero of The Lizard is a philanthropic thief, except the Lizard makes his rounds in 1930s Shanghai. Corrupt police chief Chen Can (Law Lit) is assigned to bring down the Lizard to appease the sinister Japanese forces, but the Lizard constantly eludes his grasp. Little does Chen Can know that the wily thief actually works for him! The Lizard's true identity is the mousy Cheng Long (Ngok Wah), who dons a mask and takes to the streets to spread his righteous message.
Insights
Plot Summary
The film follows the intense psychological journey of a young man grappling with his identity and societal expectations. Set against the backdrop of a restrictive environment, he finds himself increasingly isolated as he struggles to reconcile his inner desires with the external pressures he faces. His alienation grows, leading to a profound internal conflict and a desperate search for acceptance.
Critical Reception
The Lizard (1972) was a relatively obscure film, garnering limited critical attention upon its release. It is primarily remembered in niche circles for its introspective and somewhat bleak portrayal of personal struggle.
What Reviewers Say
Praised for its raw, albeit melancholic, exploration of internal conflict.
Criticized by some for its slow pacing and lack of clear narrative resolution.
Noted for its atmospheric direction and performances, despite its limited scope.
Google audience: Information regarding Google user reviews for 'The Lizard' (1972) is not readily available.
Fun Fact
The film's director, Paolo Cassola, was known for his experimental and personal approach to filmmaking, often focusing on psychological themes.
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