The King
The King

The King

1962Movie92 minJapanese

The film takes place at the junction of the two eras of Meiji and Taisho. Sakata Sankichi, an uneducated zori sandal maker, becomes a professional shogi player through his genius shogi skills and lives a fanatically devoted shogi game supported by the love of his family. This is the 3rd adaptation of Hideji Hojo's famous play.

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IMDb6.5/10
Director: Ken HughesGenres: Drama, War

Plot Summary

Based on the play 'A Man's a Man' by Bertolt Brecht, the film is a satirical look at the destruction of individual identity and morality under the pressures of militarism and conformity. The story follows Gunthenatic, a simple porter from Singapore, who is gradually transformed into a brutal soldier by his comrades and the oppressive military regime. His personal life and relationships are sacrificed as he becomes a symbol of the dehumanizing effects of war and blind obedience.

Critical Reception

While lauded for Laurence Olivier's commanding performance and its ambitious thematic exploration, 'The King' received mixed reviews upon its release. Critics praised its intellectual depth and challenging message but found the pacing uneven and the adaptation from its theatrical origins somewhat heavy-handed. Audiences were divided, with some appreciating its allegorical power and others finding it too bleak or academic.

What Reviewers Say

  • Laurence Olivier delivers a powerful and transformative performance as the protagonist.
  • The film's satirical commentary on militarism and conformity is potent, though at times didactic.
  • The adaptation of Brecht's play presents a challenging and thought-provoking, if occasionally ponderous, narrative.

Google audience: Google user reviews for 'The King' are not readily available, making it difficult to summarize audience sentiment. However, the film is generally recognized for its serious themes and Olivier's dramatic range.

Fun Fact

The film is a rare foray into direct adaptation of Bertolt Brecht's work for director Ken Hughes, who was more commonly associated with thrillers and crime dramas.

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