Movie spotlight
POP
An experimental twist on the "fly on the wall" film. Here a handheld camera becomes the fly and the connection between three groups of modern city dwellers. Gregory King's first film won ‘Most Outstanding Achievement in a Video Production’ at the Melbourne International Film Festival. The festival hailed POP as ‘Possibly the most extraordinary film at MIFF this year…As we stand before the precipice of the next century, the film poignantly throws into question the definition of cinema itself.’
Insights
Plot Summary
In the remote wilderness, a group of young people on a camping trip discover a chilling secret. They stumble upon a secluded cabin where a reclusive artist has been meticulously crafting a series of disturbing sculptures. As they delve deeper into the mystery surrounding the artist and his macabre creations, they realize they've become entangled in a terrifying game of cat and mouse, where they are the intended subjects of the artist's gruesome final masterpiece.
Critical Reception
POP received a largely negative reception from critics, who often cited its predictable plot, weak character development, and reliance on gore over substance. Audience reception was similarly lukewarm, with many finding it to be a forgettable entry in the late 90s horror genre.
What Reviewers Say
Relies heavily on jump scares and gore with little narrative depth.
The plot is derivative and predictable, offering few surprises.
Characterizations are shallow, making it difficult for audiences to connect with the protagonists.
Google audience: Google user reviews are scarce and generally indicate disappointment with the film's execution and lack of originality.
Fun Fact
The film was originally intended to be a more psychological thriller, but significant changes were made during production to incorporate more graphic horror elements.
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