Lights Out
Lights Out

Lights Out

1923Movie88 minEnglish

Notorious crooks "Hairpin" Annie and Sea Bass steal a suitcase on the train and discover that it is filled with scenarios. Its owner, Egbert Winslow, agrees to write a screenplay about the underworld with Sea Bass's help. Sea Bass, seeing a chance to expose a pal who has double-crossed him, describes "High-Shine" Joe and some of his underworld activities. Joe sees the film in a South American theater and recognizes himself. He goes to the motion picture studio determined to kill Egbert Winslow, but bank president Peyton, who has been robbed by Joe, appears simultaneously with the police and saves Winslow.

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Insights

Director: George W. HillGenres: Drama, War

Plot Summary

During World War I, a young American soldier, Arthur, finds himself struggling with the horrors of war and his complicated relationship with his pregnant wife, who is back home and facing her own struggles. He grapples with his duty, his fear, and his desire to return to his family, all while the brutal realities of the battlefield test his spirit and his resolve.

Critical Reception

As a silent film from the early 20th century, "Lights Out" received critical attention for its portrayal of wartime experiences and its emotional depth. Contemporary reviews likely praised its dramatic performances and its attempt to capture the psychological toll of conflict, though specific detailed critical reception from the era is scarce.

What Reviewers Say

  • Praised for its dramatic intensity and emotional core.
  • Seen as a notable early cinematic exploration of wartime psychological impact.
  • Performances were likely highlighted for conveying the harsh realities of soldiering.

Google audience: Audience reception for this silent film is not readily available through modern platforms. However, films of this nature often resonated with audiences for their dramatic storytelling and exploration of universal human emotions, especially during times of conflict.

Fun Fact

This film is considered a lost film, meaning no known copies exist today, making it difficult to assess its full impact and specific critical reception.

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