All These Women

A pompous music critic, Felix, decides to write a biography of a famous, recently deceased cellist, Cornélius. To gather information, Felix interviews Cornélius's former lovers, a group of eccentric women who have conflicting and often outrageous memories of the musician. As Felix delves deeper into their stories, he finds himself increasingly entangled in their lives and the secrets surrounding Cornélius.

All These Women was Ingmar Bergman's first color film and a departure from his usual dramatic fare, aiming for a more lighthearted, comedic tone. Critically, it received a mixed reception upon release, with some praising its attempt at comedy and visual style, while others found its humor and narrative structure to be uneven and less profound than Bergman's signature works.

• Praised for its visual experimentation and shift in tone for Bergman.

• Criticized for a perceived lack of depth and inconsistent comedic elements.

• Seen as an interesting, albeit less successful, detour in Bergman's filmography.

Google audience: Audience reception information for 'All These Women' is not readily available, making it difficult to summarize specific likes or dislikes from Google users.

This film marked Ingmar Bergman's only attempt at making a full-fledged comedy for the theatrical release market, and it was not a commercial success, leading him to largely abandon such ambitious comedic projects.