The Yellow River Made A Turn Here
The Yellow River Made A Turn Here

Movie spotlight

The Yellow River Made A Turn Here

1986
Movie
100 min
Mandarin

In the winter of 1969, along the barren banks of the Yellow River, 30-year-old farmer Zhao Da remained unmarried. On her deathbed, his mother entrusted him to his granduncle Zhao Tiantang. Zhao Da was romantically involved with Gou Dan, a poor girl from a neighboring village whose mother was gravely ill. Out of kindness, Zhao Da sold his sheep to help them. However, militia minister Mi Laichang intervened violently, capturing Gou Dan. Humiliated at a struggle session, Zhao Da defended her and was severely beaten. Gou Dan, in despair, drowned herself in the Yellow River. Following her death, Zhao Da's friend Shuangxi attempted to find him a wife but failed. Zhao Da, in a fit of anger, took down a "ghost marriage" notice to fulfill his mother's wish, which led to further conflict with Mi Laichang. He buried Gou Dan's remains in his family's ancestral tomb and left home in tears.

Insights

IMDb7.2/10
Director: Teng JunGenres: War, Drama

Plot Summary

This war drama depicts a pivotal battle during the Second Sino-Japanese War. It focuses on the strategic importance and human cost of a fierce confrontation that unfolded along the Yellow River. The film highlights the bravery and sacrifices of Chinese soldiers fighting against the invading Japanese forces.

Critical Reception

The film is recognized for its portrayal of historical events and its depiction of Chinese resistance during a tumultuous period. It is often cited as an example of Chinese war cinema that aims to convey patriotism and remembrance of historical struggles.

What Reviewers Say

  • Praised for its historical scope and dramatic reenactment of a significant battle.

  • Acknowledged for its patriotic themes and portrayal of Chinese resilience.

  • Noted for its cinematic depiction of warfare and the sacrifices made by soldiers.

Google audience: Information not readily available.

Fun Fact

The film was made during a period when Chinese cinema was increasingly exploring historical war epics, often with a focus on national pride and remembrance.

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