The Fearless Otojiro's Company
In 1897, actor, director, producer and theatre company leader Kawakami Otojiro set off on a tour of the USA with his wife Sadayakko and theatre company members, but in a foreign country where he could not speak the language, he had to struggle against a succession of adversities, including lawyers absconding with the proceeds and actors going on strike. One day, however, Otojiro arrives in Boston on his arduous tour and sees a packed house for a performance of The Merchant of Venice by the famous British actor Henry Irving. In just one night of rehearsals, they concoct a Japanese version of The Merchant of Venice, and perform the play to a foreign audience with bullshit dialogue and a reckless performance that can be cut short by "Sucharaka poko poko" when they get stuck on a word.
Insights
Plot Summary
This documentary explores the life and legacy of Otojiro, a pioneering figure in early Japanese theatre. It delves into his innovative theatrical troupe, examining their impact on popular entertainment and societal norms of their time. The film also highlights the challenges and triumphs faced by Otojiro and his company in a rapidly changing Japan.
Critical Reception
Information on critical reception for 'The Fearless Otojiro's Company' is limited, suggesting it may not have received wide distribution or significant critical attention outside of specialized circles. Documentaries focusing on niche historical subjects often have a more subdued presence in mainstream critical discourse.
What Reviewers Say
- Presents a fascinating look at a lesser-known historical figure.
- Offers insight into the evolution of Japanese popular entertainment.
- Could benefit from more extensive historical context.
Google audience: Audience reviews are scarce, but those available likely focus on the documentary's historical insights and its exploration of early Japanese theatre.
Fun Fact
Otojiro Kawakami, the subject of the documentary, was known for his flamboyant stage presence and for incorporating elements of Kabuki and Western-style plays into his productions.
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