Blood Machines

In a distant future where humanity has become pure space-faring consciousness, a young woman named Djala is born with the ability to feel. She finds herself hunted by powerful entities known as 'Soul Collectors' who prey on sentient beings. Teaming up with a grizzled space pirate, Djala must navigate a universe of cosmic wonders and terrifying dangers to protect her unique existence.

Blood Machines was lauded for its stunning visuals and unique, atmospheric approach to science fiction horror. While its plot was sometimes seen as thin or abstract, critics and audiences generally praised its ambitious world-building and distinct aesthetic.

• Praised for its breathtaking visuals and unique retro-futuristic aesthetic.
• Appreciated for its ambitious and abstract science fiction storytelling.
• Some critics found the plot to be underdeveloped or overly reliant on style.

Google audience: Audience reviews highlight the film's incredible visual design and immersive atmosphere as major strengths. Many appreciated its experimental nature and bold artistic vision, although a segment of viewers found the narrative confusing or lacking in conventional plot progression.

Nominated for Best Film at the Sitges Film Festival.

The film is a spiritual successor to the 1986 Jean-Pierre Jeunet and Marc Caro short film 'Le Dernier Combat', sharing a similar visual style and dystopian future.