

Dekkee Furoba de Mattemasu
Shin and Ryudai run a public bathhouse, Otori no Yu, located in a suburb. The bathhouse has been there for 150 years, since the Edo period. Due to poor finances, Shin and Ryudai struggle to maintain the bathhouse. While they work, they face various problems and happenings caused by their customers.
Insights
Plot Summary
This documentary offers an intimate look into the lives of three women who work in the adult entertainment industry in Japan. It eschews sensationalism, instead focusing on their daily routines, personal aspirations, and the complex realities of their profession. The film captures candid moments of their lives both inside and outside of work, presenting a nuanced portrait of individuals navigating societal perceptions and personal desires.
Critical Reception
Kazuhiro Soda's 'Dekkee Furoba de Mattemasu' has been critically acclaimed for its sensitive and respectful portrayal of its subjects. Reviewers have praised its observational style, allowing the audience to form their own conclusions without judgment. The film is noted for its ability to delve into the personal lives of the women with empathy, offering a humanizing perspective on an often-stigmatized industry.
What Reviewers Say
- Praised for its empathetic and non-judgmental observational style.
- Lauded for offering a humanizing and intimate look at its subjects.
- Commended for its nuanced exploration of complex societal issues through personal stories.
Google audience: Google users have largely responded positively, appreciating the film's sensitive approach and its ability to provide a deeper understanding of the lives of the featured women. Many found the documentary thought-provoking and respectful, highlighting its authentic portrayal and the human element at its core.
Awards & Accolades
Screened at the Toronto International Film Festival, recognized for its bold and empathetic documentary filmmaking.
Fun Fact
Director Kazuhiro Soda is known for his minimalist approach, often shooting with a single camera and minimal crew, which allows for a fly-on-the-wall perspective in his documentaries.
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