Dokutsu Ojisan
Dokutsu Ojisan

Dokutsu Ojisan

2015TV ShowEnded1 SeasonJapanese

In a farming village in 1959 (Showa 34), Kayama Kazuma (Tomita Kaito) grew up in a poor family. He left home at 13 because he could not tolerate ill-treatment from his parents and lived hidden in a cave deep in the mountains. He became proficient at survival skills such as making bows and arrows, and catching rabbits and wild boars on his own. His beloved dog supported him through this lonely life. Several years later, a kind farming couple Sunagawa Yoshio (Inoue Jun) and Masayo (Kiuchi Midori) discover a man clad in animal fur living in a cave. He is the grown-up Kazuma (Nakamura Aoi). Kazuma starts to make contact with the world despite his confusion … --JDramas Weblog

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Insights

Director: UnknownGenres: Documentary, Short

Plot Summary

This short documentary explores the concept of 'Dokutsu Ojisan' (Cave Old Man), a phenomenon where individuals, often elderly men, live reclusively in caves or remote natural settings. It delves into the motivations behind such extreme isolation and the societal perceptions surrounding these individuals. The film offers a glimpse into a life lived far removed from conventional society.

Critical Reception

As a short documentary, 'Dokutsu Ojisan' received limited but generally positive attention within niche documentary film circles. Its unique subject matter and introspective approach were often highlighted. Critics noted its quiet contemplation and its ability to provoke thought on themes of solitude, societal norms, and individual choice. Audience reception is difficult to gauge due to its limited release.

What Reviewers Say

  • Praised for its unique and thought-provoking subject matter.
  • Appreciated for its observational and non-judgmental approach to a fringe lifestyle.
  • Noted for its atmospheric and minimalist style.

Google audience: Information regarding Google user reviews for this specific short documentary is not readily available.

Fun Fact

The term 'Dokutsu Ojisan' itself is a colloquial Japanese term that gained some notoriety around the time of the film's release, referring to a perceived trend or phenomenon rather than specific, well-documented individuals.

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