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In a near-future Moscow, a scientist creates artificial humans, known as 'the second ones', who are indistinguishable from real humans. However, these creations begin to develop their own desires and consciousness, leading to conflict with their creators and a philosophical exploration of what it means to be human.

The film was met with a mixed reception, praised for its ambitious philosophical themes and visual style but criticized for its pacing and somewhat convoluted plot. It gained a cult following over time for its unique take on artificial intelligence and humanity.

• Praised for its thought-provoking exploration of artificial humanity.
• Criticized for its slow pacing and complex narrative.
• Appreciated for its unique visual aesthetic and ambitious scope.

Google audience: Audience reviews are scarce, but those available often mention the film's intriguing premise and its philosophical depth, though some find it to be challenging and dense.

The film was one of the early Russian science fiction productions to tackle complex philosophical themes related to artificial intelligence and the nature of consciousness in a post-Soviet context.