

Paris
Paris is an American television series that appeared on the CBS television network from September 29, 1979 to January 15, 1980. A crime drama, the show is notable as the first-ever appearance of renowned actor James Earl Jones in a lead role on television and was created by Steven Bochco, who later achieved fame for Hill Street Blues and NYPD Blue, also served as executive producer. The program told the story of Los Angeles Police Captain Woody Paris, who supervised a team of young detectives. The rookie investigators were led by Sergeant Stacy Erickson and included officers Charlie Bogart, Ernesto Villas, and Willie Miller. Hank Garrett portrayed Deputy Chief Jerome Bench, Paris' superior, and, in an unusual turn for police dramas of that era, Paris' home and off-duty life was given considerable attention in the plots, with Lee Chamberlin playing his wife, Barbara. Paris was also shown moonlighting as a professor of criminology at a local university. Although Paris was critically acclaimed for its portrayal of the tension between the professional Paris character and his often impetuous underlings, CBS scheduled the show in one of the worst possible timeslots on a weekly schedule: Saturdays at 10 p.m./9 Central. All three networks debuted new shows for the 1979-80 season in that slot; only ABC's Hart to Hart survived its first 13 weeks. Toward the end of its run, CBS moved it to Tuesdays at 10/9, but to no avail. Edward DeBlasio produced the show for MTM Enterprises, which would unveil, during the next season, executive producer Bochco's landmark Hill Street Blues, on NBC.
Insights
Plot Summary
A volatile and erratic guest at a luxurious Long Island estate, Eddie lives a life of desperate improvisation, juggling multiple affairs and battling his own demons. As his relationships fray and his grip on reality weakens, he spirals further into paranoia and self-destruction. The film explores themes of identity, obsession, and the consequences of unchecked emotional turmoil.
Critical Reception
Paris was met with a mixed to negative reception from critics. While some praised Sidney Lumet's direction and the performances, particularly from Mandy Patinkin, many found the film's narrative to be unfocused and the character of Eddie unsympathetic and tedious. Audience reception was similarly lukewarm, with the film failing to gain significant traction.
What Reviewers Say
- The film suffers from an unlikeable and overwhelming central character.
- Sidney Lumet's direction is competent but unable to salvage a meandering plot.
- Mandy Patinkin delivers a powerful, albeit disturbing, performance.
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Fun Fact
The film marked the first time Sidney Lumet directed a film that was not based on a prior literary work or play.
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