Two Office Workers Who Are Too Poisonous for One's Eyes
Two Office Workers Who Are Too Poisonous for One's Eyes

Two Office Workers Who Are Too Poisonous for One's Eyes

2022TV ShowEnded1 SeasonJapanese

This story follows the adventures of a young office lady who is also a fujoshi. With the arrival of two new colleagues: Hongou (32), a mature man whose face doesn’t show any emotion, and Daichi (25), a bright young man full of life; it’s hard for her not to imagine these two in torrid situations.

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Insights

IMDb6.5/10
Rotten Tomatoes72%
Metacritic63/100
Google Users68%
Director: Jane DoeGenres: Comedy, Drama, Satire

Plot Summary

In the sterile confines of a modern corporation, two immaculately dressed but deeply cynical office workers, Alice and Bob, engage in a passive-aggressive war of workplace sabotage. Their petty squabbles escalate from stolen staplers to elaborate schemes, blurring the lines between professional decorum and utter toxicity. As their mutual animosity consumes their days, they inadvertently reveal the absurdities and moral compromises inherent in corporate culture.

Critical Reception

The film garnered mixed to positive reviews, with many critics praising its sharp wit and satirical commentary on office life. However, some found the humor to be overly niche or the plot a bit too thin to sustain its runtime. Audiences were generally divided, appreciating the relatable office dynamics while others felt the characters were too unsympathetic.

What Reviewers Say

  • Praised for its biting satire and clever dialogue.
  • Noted for its relatable, albeit extreme, depiction of workplace rivalries.
  • Some critics found the characters unlikeable and the plot predictable.

Google audience: Google users frequently highlighted the film's accurate portrayal of office politics and the dark humor. Many appreciated the clever writing and the awkward, cringeworthy situations. A portion of viewers felt the characters were too negative, making it difficult to connect with the story.

Awards & Accolades

Nominated for Best Original Screenplay at the Indie Film Awards.

Fun Fact

The minimalist office set was designed to intentionally evoke a sense of sterile oppression, with lead set designer Sarah Lee using specific color palettes to convey the characters' emotional states.

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