Yes, Let's Get a Divorce

A newlywed couple, desperately in love, finds their initial bliss quickly strained by petty arguments and misunderstandings. Their attempts to reconcile only lead to further comedic chaos, culminating in a hilariously exaggerated divorce proceeding. The film plays on the common tropes of marital squabbles with a fast-paced, slapstick sensibility characteristic of early silent comedies.

As a short silent comedy from the early 1920s, 'Yes, Let's Get a Divorce' was likely appreciated for its humor and the burgeoning talent of Harold Lloyd. Contemporary reviews would have focused on its entertainment value and comedic gags rather than deep artistic merit. Modern reception acknowledges it as an early example of Lloyd's work and the evolution of screen comedy.

• Amusing slapstick sequences that highlight Lloyd's physical comedy.

• A charming, albeit simple, look at early marital discord.

• Showcases the comedic chemistry between Lloyd and Davis.

Google audience: Audience reception for this early silent short is difficult to gauge definitively. However, similar films from the era featuring Harold Lloyd are generally remembered for their lighthearted humor and engaging performances.

This short film was one of Harold Lloyd's early collaborations with director Hal Roach, predating many of his more iconic features and 'Glasses' character personas.