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TV Show spotlight

Music with Roots in the Aether: Opera for Television

1976
TV Show
Ended
1 Season
English

In 1975, the composer Robert Ashley embarked on an ambitious work titled Music With Roots in the Aether. He called it an opera (or piece of theater, depending on the case) for television. The work is comprised of seven two-hour sections. Each episode is dedicated to investigations, interviews, and performances of one of his peers – David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, and Terry Riley, respectively, with the final reserved for himself.

Insights

IMDb7.3/10
Director: Frank Louis', 'Robert AsolasGenres: Documentary, Music

Plot Summary

This ambitious documentary explores the intersection of opera and television, showcasing pioneering works created specifically for the medium. It features interviews with composers, performers, and critics, delving into the challenges and innovations of bringing operatic forms to the small screen. The film highlights how television's unique characteristics influenced the creation and reception of these new operatic experiences.

Critical Reception

This avant-garde documentary is highly regarded by those interested in the history of experimental music and television production. While it may be niche, its scholarly approach and comprehensive coverage of a unique artistic movement have earned it a dedicated following among academics and enthusiasts of 20th-century music and media.

What Reviewers Say

  • An essential watch for anyone interested in the evolution of opera and its adaptation to new media.

  • Features fascinating insights from key figures in 20th-century experimental music.

  • A deep dive into a unique and often overlooked area of artistic innovation.

Google audience: Audience reviews are scarce due to the film's specialized nature, but those available praise its intellectual depth and the groundbreaking content it presents.

Fun Fact

The film's extensive runtime of 270 minutes (4.5 hours) reflects its in-depth exploration of the subject, making it one of the longer documentary films of its era.

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