Sylvia – Eine Klasse für sich
Sylvia – Eine Klasse für sich

Sylvia – Eine Klasse für sich

2000TV ShowEnded2 SeasonsGerman

MTV RPM 2002 is the last album and the only DVD by Brazilian rock and roll band RPM, released in 2002 and bringing back its classical formation. Recorded at Procópio Ferreira Theater (São Paulo, Brazil), in 26 and 27 March 2002, the album features greatest hits, like "Revoluções Por Minuto", "Alvorada Voraz", "Rádio Pirata", "Sete Mares" and "Louras Geladas", as well as unreleased songs: "Carbono 14", "Rainha", "Vem Pra Mim" (by Herbert Vianna) and "Onde está o meu amor?", recorded in studio and included on the Esperança's original soundtrack, from Rede Globo. The album features Roberto Frejat as a guest, at the song "Exagerado", by Cazuza. Another guest performer is Renato Russo, on the acoustic version of "A Cruz e a Espada".

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IMDb6.5/10
Director: Gerd SchusterGenres: Documentary, Drama

Plot Summary

This documentary follows the life of Sylvia, a young woman battling a severe eating disorder. It offers an intimate look into her struggles, her relationships, and her journey towards recovery. The film also incorporates segments featuring Udo Jürgens, providing a unique artistic element to Sylvia's story.

Critical Reception

The film received a mixed to positive reception, with critics often praising its sensitive and unflating portrayal of eating disorders. While some found the inclusion of Udo Jürgens to be a somewhat unusual choice, many viewers connected with Sylvia's personal narrative and the film's hopeful message.

What Reviewers Say

  • Praised for its unflinching portrayal of a difficult subject.
  • Some questioned the artistic choices, but the emotional core resonated.
  • Offers a compelling, albeit challenging, look at a personal struggle.

Google audience: Audience reviews are scarce, but those available suggest appreciation for the film's honest and empathetic approach to portraying a sensitive topic, highlighting its emotional impact.

Fun Fact

The film's unusual blend of documentary footage and artistic interpretation, particularly the integration of Udo Jürgens' performances, was a talking point among critics upon its release.

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