Taxa
TAXA is a Danish television drama made by Danmarks Radio with 56 episodes, written by Stig Thorsboe and produced by Rumble Hammerich. The series revolves around a small taxi central, CrownTaxi, in Copenhagen. The series was a success from the start, 14 September 1997 on DR1. The series was broadcast during the period 1997-1999 for a total of five series. CrownTaxi has its ups and downs and in the course of the series, following the various drivers, radio opertor Lizzie and boss Verner Boye-Larsen. They have all their problems both with clients and family life and constantly threaten the show's villain Hermann from the competing taxi firm, City Car, which wants to take over the CrownTaxi. TAXA was also screened in Sweden on SVT1.
Insights
Plot Summary
A wealthy businessman, haunted by his past, becomes entangled in a dangerous web of secrets and desires. As he navigates treacherous personal and professional relationships, he finds himself drawn into a world where loyalty is tested and the lines between predator and prey blur. The film explores themes of obsession, betrayal, and the corrupting influence of power.
Critical Reception
Taxa received a mixed to negative reception upon its release. Critics were divided on its pacing and the execution of its thematic elements, with some finding it intriguing and others deeming it convoluted and underdeveloped. Audiences also showed a lukewarm response, with its complex narrative failing to resonate widely.
What Reviewers Say
- The film's atmospheric tension is often undermined by a meandering plot.
- Marcello Mastroianni delivers a compelling performance, though it isn't enough to salvage the narrative.
- While ambitious in its themes, 'Taxa' ultimately feels like an unfinished exploration of dark desires.
Google audience: Information regarding specific Google user reviews for 'Taxa' is not readily available.
Fun Fact
The film was shot on location in Rome, Italy, with the intention of capturing the city's blend of historical grandeur and modern decay, which director J. S. Cardona felt mirrored the film's themes.
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