My z konce světa
My z konce světa

TV Show spotlight

My z konce světa

1976
TV Show
Ended
1 Season
Czech

Beth Hart with Special Guest Joe Bonamassa at The Echoplex, Los Angeles, CA, recorded on September 19, 2011 (source: YouTube) Tracklist: 1. As Good As It Gets - 2. Favorite Things - 3. LA Song - 4. Leave the Light On - 5. Monkey Back - 6. One Eyed Chicken - 7. Skin - 8. Ugliest House On The Block - 9. My California - 10. Everybody Is Sober - 11. Lifts You Up - 12. Happiness Any Day Now - 13. Immortal - 14. Sister Heroine - 15. Sick - 16. Well, Well, Well - 17. I'll Take Care of You - 18. Chocolate Jesus - 19. A Change Is Gonna Come - 20. Sinner's Prayer - 21. Something's Got a Hold on Me - 22. For My Friends - 23. I'd Rather Go Blind (Rock Candy Funk Party) - 24. Am I The One (Echoplex 20-09-2011) *** Tracks 16-22 with support of Joe Bonamassa

Insights

IMDb7.0/10
Director: Oldřich LipskýGenres: Comedy, Science Fiction

Plot Summary

A group of scientists from the future travels back to 1976 Czechoslovakia to prevent a catastrophic event. However, their advanced technology and futuristic ideals clash with the realities and societal norms of the past, leading to humorous misunderstandings and unexpected complications. They must navigate the challenges of blending in while trying to subtly alter history.

Critical Reception

This satirical science fiction comedy was generally well-received in Czechoslovakia for its clever premise and humorous take on societal contrasts. While not a major international hit, it is remembered fondly for its inventive storytelling and performances, particularly for its witty critique of both the past and a speculative future.

What Reviewers Say

  • Praised for its imaginative plot and satirical humor.

  • Appreciated for its witty observations on societal differences.

  • Seen as a unique blend of science fiction and Czech comedy.

Google audience: Audience reception information is not readily available for this specific title in a way that can be summarized here.

Fun Fact

The film's premise of time travel to a specific past era was relatively uncommon in Czechoslovak cinema at the time, making it a somewhat pioneering work in its genre within the country.

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