
Felicity
This movie was entertaining but I'm not sure what I saw. It's going on my "re-watch" list.


Movie spotlight
We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.
A mysterious man named Oscar travels across Paris in a limousine, embodying various characters for a series of bizarre and sometimes violent 'appointments'. From a wealthy businessman to a monstrous beggar, and even a heartbroken accordion player, he navigates through different lives and identities. The film blurs the lines between reality and performance, exploring the nature of acting, existence, and the ephemeral connections made throughout a single day.
Holy Motors received widespread critical acclaim, being lauded for its originality, ambition, and the mesmerizing performance of Denis Lavant. It was frequently cited as one of the best films of its year and a significant work in contemporary cinema, though its surreal and enigmatic nature led to some divided opinions among audiences.
A visually striking and conceptually audacious film that defies easy categorization.
Denis Lavant delivers a tour-de-force performance, anchoring the film's surreal journey.
Praised for its artistic daring and thought-provoking exploration of identity and performance.
Google audience: Audiences generally found 'Holy Motors' to be a unique and thought-provoking cinematic experience, appreciating its experimental nature and artistic vision. Some viewers found it overly abstract or confusing, but a significant portion lauded its originality and Lavant's captivating performance.
Nominated for the Palme d'Or at the 2012 Cannes Film Festival. Won Best Film at the Evening Standard British Film Awards and the Dublin Film Critics' Circle Awards. Denis Lavant won Best Actor at the National Society of Film Critics Awards.
The limousines in the film were specifically chosen for their distinctive interiors and were equipped with hidden cameras and recording equipment, allowing Leos Carax to observe and direct Denis Lavant's performances in real-time.
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This movie was entertaining but I'm not sure what I saw. It's going on my "re-watch" list.

This is one of the most entertainingly bizarre films I've ever seen. The title really only comes into play at the end, and that does put a little context into that, but for the rest of it we follow the curious activities of "Mr. Oscar" (Den...