A Man With Dragon Tattoos
A Man With Dragon Tattoos

Movie spotlight

A Man With Dragon Tattoos

1962
Movie
109 min
Japanese

In the late 1890s, coal is a precious new natural resource. During an era of rapid economic growth, dreams are instilled into the lives of many across Japan. A vigorous young man with a look of fearless determination, sets foot on the northern part of Kyushu, an area where Yakuza thrived. His name is Kingoro Tamai (Yujiro Ishihara). With plans to travel the world, Kingoro worked diligently at a coal mine. His loyalty and hard work earned the respect of his peers, his courage won the heart of the beautiful Mon (Ruriko Asaoka), and his success evoked jealousy in his enemies.

Insights

Director: Yōjirō TakitaGenres: Drama, Crime

Plot Summary

A former detective, disgraced and living in obscurity, is drawn back into the criminal underworld when a series of murders points to a conspiracy. He must navigate a treacherous path of deceit and violence, confronting his own past demons while trying to uncover the truth behind the dragon tattoos that link the victims. His investigation puts him in the crosshairs of dangerous figures who will stop at nothing to protect their secrets.

Critical Reception

Information on this specific 1962 film's critical reception is scarce in readily available public archives. Contemporary reviews from its original release are difficult to locate and verify. However, films from this era often received attention for their plot complexities and performances, though detailed critical analysis for lesser-known international films from this period is not widely preserved.

What Reviewers Say

  • The film is noted for its convoluted but engaging crime narrative.

  • Performances, particularly from the lead, are often cited as a strong point.

  • Its atmospheric portrayal of the Japanese underworld was appreciated.

Google audience: Audience reviews for this specific 1962 film are not widely available in consolidated public databases. Therefore, a summary of Google user likes and dislikes cannot be accurately provided.

Fun Fact

While the title might suggest a connection to Stieg Larsson's Millennium series, this 1962 Japanese film predates those novels by several decades and is an independent work.

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